nice price deal !!! smooth, warm vocals from supervoice jeremy carr combined with irrisistable grooves and uplifting synths makes this release a very unique: definitely a big tune for the upcoming spring and beyond!

dje lean aka confetti bomb has worked for a very well respected london record store for 9 years. hes also been a dj & live performer since the mid - nineties and has put these combined experiences into creating a unique form of stripped down, deep techno. his fever ep for london label underl_ne was featured on the uks bbc radio one and received extensive dj support at the highest level. he also features in the juno records 10th anniversary remix series with a peak time re work of carl craigs detroit experiment classic think twice. his debut ep for autoreply features an appearance from one of his favourite producers jerome sydenham who takes time out from his hectic dj schedule & ibadan label duties to provide us with a truly timeless mix of 10 second detox. with its persistent rolling percussion & warm deep pads the mix satisfies all senses. a short interlude follows this in the form of 5 second detox - created using an atari st & beat up yamaha sampler. this is the perfect tool to start or end your set with or to add your own beats to. the choice is yours. on the aa side we have 20 second detox - big sounding hooky techno featuring crisp percussion & analog synths incorporating long warm beatless periods with bursts of pounding drums. this track teases you until the mid section where it goes off all guns blazing. finaly detox is a lofi housy workout which has been described to us as troy pierce meets inner city...sounds interesting huh? drop the needle on it & make up your own mind.

with recent releases on emergence and token, grovskopa debuts for labrynth and hits the floor hard with treacher collins . re-processed percussion and rolling low end seem to cause sensory overload at every turn. the perfect floor tool. aa/ balamber sees grovskopa maintain the industrial focus, but heads further into darkness and despair. driving forwards relentlessly, a rolling sea of bass and mechanical abrasive tones force us to move and dance! b/ trademark michaelangelo sounds here on the 4/4, reminiscent of some of the mid 90 s synewave recs releases. sirius carves into an immense sonic landscape. chaotic and crackling high frequencies modulate and break up over our heads, while monotone subs meander and bounce with the kick. big room techno. big sound. quality. bb/ massive offbeat techno from telesthesia, a collaboration between michaelangelo & coefficient. complex rhythms continually weave throughout the track. the journey deconstructs and falls into darkness, re-emerging again into precision synths and digital modulations

boxcutters work, due to its bass-led and rhythmically 2 step nature, is often categorised as dubstep, although in style and idiosyncracies has more in common with idm artists such as squarepusher and ? ziq. together with kinnego flux the belfast based band/ensemble. funk and soul music with electronics using instruments, vocals, computers and hardware synths and modules.

amplified orchestra provide more unhinged disco party on one ep than most dj s pack in one hour! this awesome new amplified release is part house, part disco with a hint of cosmic spaciness. arpeggio is a long and deep galactic trip with atmospheric strings, dope synths and spaced-out effects. an analogue bubblebath of sounds combined with a pumping disco beat and static bassline. the fighter is an excellent mid-tempo disco work-out. killer percussion with banging beats, grooving bassline and enchanting vocals provide for an hypnotic dancefloor nugget. rumble is a robotic an quirky electronic cosmic dancefloor stormer. amplified orchestra have been around releasing the dopest sounds since 2002. their releases on their own label, amplified, gained support from disco and house lovers all over the world. not a lot is known about who is behind the amplified orchestra moniker, although there is a chicago address stamped on the vinyl. but where the music comes from is irrelevant when it s good

chicago skyway first debuted on eargasmic with the digital release of >heavens and angels / purgatory<. here hes officially blessed into the eargasmic family with >bells< - an amazing composition of roland drum machines and vintage synths. reminiscent of the early house sound, he proves that this once deemed futuristic style still holds the test of time. on the flipside, >random thoughts< takes things back to the dirty sweat box basements. dcee (daryl cura) also contributes an edit to >bells< as well as his slow bangin >fourtone< as an added bonus.

it has been a while since mighty thor came up with a solid techno banger, but this time he is ready to blow of some steam on the 2nd dynamic reflection release. thor comes up with some serious detroit influenced techno on the aside, expect catchy synthmelodies and smooth percussion at his best! the french guys from sub space put out an awesome remix on the a2. their rework makes you want to funk that shit and reminds you at the old technasia sound! on the flipside sub space comes up with an oldschool, almost axis sounding techno stomper. quality analog stuff is what these guys are capable of and they proof it once again with hypnotic synths and 909 rideloops, a true dancefloor killer! thor is responsible for reworking this original and brings us an amazing remix with even some breakbeat influences in the breakdown. bringin some futuristic feel in this oldschool techno banger with extraordinary uplifting percussion loops he pushes himself to another level with this one! once again a superior 2nd release from the dynamic reflection squad, lets pray for more of this pure quality stuff and keep our eyes on the the future. the scene need more labels like this which reflects the current techno movement and promises loads more of that sweet stuff in days to come..

the home of quality deep house. pengs very own maestros of music the rurals deliver a real slice of sumptuous vocal house as only they know how! jay tripwire unleashes a slightly darker, retro-tinged outing using snippets of the vocals alongside stabby synths & rolling beats. the original & candy dealers mix are bursting with uplifting chords,sweet melodies and heart-felt vocals

a first class house tune with melodic synths and a warm bassline. the original mix is fascinating with a catchy hook and hypnotising vocals based on a cool driving groove. tried and tested a hundred times at his club dates, this track promises to fill up the dance floor. on a special club date when the boogie pimps heard a first demo of yostar! they were immediately thrilled and directly wanted to do a remix. so we can look forward to a perfect remix package completed by a crazy techie christian fischer remix

inspired to bring back to life the spirit of their teen and death metal heroes, koljah & oliver deutschmann deliver the 4th konsequenz vinyl slowly we rot . as in their previous releases on vidab and konsequenz, house music is the major player here, presented in 5 different interpretations, for alternate stages of the night. eaten back to life starts the journey with deep vocals, percussions, and hooky horns. picked by sebo k as his personal weekend weapon, the track keeps diving in deeper and deeper until it sucks you in and takes you over. ed davenport s stripped remix, as in its title, is a stripped down power house, that compliments, and in a way completes the original. davenport s shutterdrop remix will be available as a digital bonus. altars of madness on the flip is a harder, more upfront evolution of the a side. techy loops and deep synths support the lead that will stay with you hours after leaving the club. the re edit is a more crisp sharp tech house track, rounding off a record that represents konsequenz right and proud. up next on the label look over feel from mojoe with remixes from daniel stefanik and marlow.

the soul clap boys from boston who come up with the next airdrop outing, outdoing themselves every single time. it’s becoming increasingly hard to hammer them down to a certain sound or aesthetic as their thirst for innovation is just unquenchable! >puppy crack< is a potent dance drug and should immediately be banned to avoid further brain damage. dripping into your drainage like some highly potent acid, the track breaks down into the wonkiest mayhem that clubbers ears have heard in a long time!for those who like it darker, the ragged >beat the puppy< tool is the one! not beating around the bush but rather beating the poor squelching animal, the track rages subliminally, gripping tight around the neck with a metallic beat that should have any old party dog wagging its tail rhythmically while the voice filters in causing uproar with its build-up.call in the ambulance and hope the doctor saving you when your overdose is mikael stavöstrand: he is just such a fine balancer and knows how to dose right: >puppy crack< becomes a deep entrancing affair with squelching noises and hypnotic synths that underline squeaking and clicking effects. slowly the whole affair culminates in an evil addiction you did not even notice you developed!

leo anibaldi was born in 1972 and at the age of 15 discovers his passion for electronic music. thanks to the advent of the first computers like commodore vic 20 and 64, he begins to create his first loops. after one year leo start to play in outskints clubs under the pseudonym dj mc, when was impossibile to find in rome any trace of electronic beat. he becomes a big analogics synths collector and he decide to spend his daily life into the creation of beat groove. in 1990 leo begins his recordings career at acv records where he will make more then 20 albums like: attack random, riders of the future, noise generation, muta, cannibald and aeon. in 1991 leo meets lory d and in a small garage located in the north of rome, they start the alternative music movement universally known as the sound of rome, who spread the techno music in rome and whole italy. in those years leo is concentrated to bring his analogic live set around the world, he plays in the best techno parties like one the first love parade edition in berlin. in 1995 leo decides to cut the relation whit acv records and moves to rephlex, label of his friend aphex twin where he will make the album void. 2008. cannibald record was born, leos personal record label, and he is back with a 4 track ep. feed1 is a hypnotic techno sound, feed2 a deep, spaced out techno track and feed 3 modern minimal acid. leos older hit >attack random< got remixed by francesco pierguidi.

lifelikes new supernice track, co written/produced with alan braxe off his due to be released ep: sunset/sequencer hits the nail on the head. filled with wavy synths and chilled beats, prepare yourself to love it.

toolroom smash their way into 2009 with the awesome new double a side from f.l.g. (fedde le grand) >amplifier & pink bird<. after his first release on toolroom in 2007 with the massive >just trippin< feat mc gee fedde returns with two peak time club tracks to cement himself as not only a master at delivering chart number ones but also big underground main room shakers! lead track amplifier does exactly what it says on the tin, with influences from the early sound in chicago fused with pounding drums and an earthy synth ready to eat up any speaker system that it plays from, this will shake up any floor into a frenzy! second track pink bird has a more techy feel merging skippy beats, a rolling bassline and stabbing synths to have your head nodding more than churchills dog! building up to the breakdown it will have you hooked as it unleashes a whirlwind of groove guaranteed to get any club moving. an essential release setting the standard for 2009!

having made his debut in 2006 on rip n burn recordings and also appearing on hadshots 10 year anniversary complation in 2007 under his alias audiolizer, israeli producer matan arkin has forged a style for himself that is both heavy in its orchestral audio mentality while keeping enough low end bounce and grime to be aimed squarely at maximal dancefloor effect. angels strikes a balance directly between sentimental yet bounding tech house and bass driven electro house, creating an end result that is both melodically enthralling and rhythmically grabbing. bordering on the edge of emotion, the simple melody carries the track till its end while an unwavering bass makes itself known without ever dominating the forefront. black is beautiful utilizes the sultry vocals of selecta beats recording artist elisete as the theme around which a slow, simple and naughty groove is built. with the lyrics deviously weaving their way around an ever-transforming musical backing, the song creates itself as a sweltering escapade that doesnt abandon its charm until the last second. mipt shows matan digging deep into his studio dexterity to mold a wildly distinctive piece that borders on the edge of melodic abstraction while still stealthily keeping its grip on a distinguishable degree of mesmerizing harmony. never losing its way through a complex maze of synths and squelches, the song serves as a vivid and vibrant highlight that reminds that plain simplicity isnt the only way to guarantee success on the dancefloor

album sampler of the fred ventura classic cuts album release. two special tracks that have never been released before. a side is a sublime edit version by fabric resident dj craig richard of the i f track (ft fred ventura) i cut my heart out. craig made the track more suitable for modern club use, and he has been playing this edit version since months. he received so many reactions on the track of people who went total nuts (and some even cried when he played the intense and emotional song!). we thought this is the right moment to make it available for everyone. on the b side we have a slamming italo disco monster which fred produced together with ajello. super phat basslines (slightly reminding us of classic bobby orlando tracks) and typical italo disco synths. two completly different tracks both featuring the emotional vocals of fred ventura. timeless piece of dance music!

big with: carl cox, ali schwarz, josh wink, sebo k, brothers vibe, catz n dogz, laurent garnier, karotte, falko brocksieper, dave dk, martin landski, tricksi, dario zenker, shuri- kan, marco resmann, ed davenport, agnes, miss jools, kreon, cirillo, anthony collins, dyed soundorom, will saul, funk d void, james flavour, okain, federico molinari, andrew grant, .. the always in form freak n chic continue their early-2009 bombardment with a superb ep from newcomer djebali. dropping just in time for miami, the >lax ep< looks set to be another winner for the paris-based imprint as it oozes quality across all four of its, percussive house tracks. starting with the urgent, chicago vibes of >dont be forced<, the >lax ep< features tracks for every point in a set. while the aforementioned cut is peak-time, the sinister >california<is pure afterhours with its spooky synths and heavy funk bass drops.

first making waves after being played by sasha & digweed at wmc 2008, lalalalalala became something of an unsung classic with a simple yet unforgettable vocal. here, james harcourt produces a no nonsense dancefloor killer of a remix. starting deep, the track builds with an irresistible groove. the breakdown strips down to a pad, brings the guitars and synths from the original mix and builds to a massive crescendo and drop. on the flip, neoteric follows up his brilliant imprecation single on twisted frequency with a more intricate, musical take on the track. full of energy and emotion, this is progressive house at its finest.

crystal is a live band from tokyo also known as sunao maruyama altogether influence by yoko ono, depeche mode, human league, cristina or art of noise, and you can surely tell listening to their productions. here they grant us with a 5 tracks ep on french famous institubes inprint filled with fm synths, machine drums from the past, and analog tools...

next in fergies awesome series of remixes comes his classic break out track. here it gets reworked on the b side by the superb echomen. the remix itself is a twisted, swinging bomb with its knarling synths, white noise, catchy stab and driving drums. on the a side we see jus phil and christian hoff do the original justice with a very bass heavy driving feel and spacey synths and percussion. 2 great remixes.

mighty robot kicks off 2009 with the first vinyl release from french electro artists katelectro and jauzas the shining. the original version of >plug< is music custom-made for a dark room and a strobe, the spoken vocal adding to the sense of vague unease. newcomer ottomatique takes his >plug< rework in a different direction, retaining the vocal, adding some eighties synths and underpinning it all with a throbbing industrial meets disco bassline. the legendary ultradyne push the discomfort and discord up a notch in their remix, staying fairly true to the original, but drenching it with their unique sinister atmospherics. things take a reflective turn for closing track >art of noise< as ghosts crackle in the circuits and bring the collection to a close.

fresh inspiring minimal techno / techhouse .the a side is for sergio parrado, who offer us, a tech-house track, direct to the dance floor. tanto mini me vuelve maxi is one of those atemporal tracks, with a powerful and groove bass, crispy synths, awesome efx and a melody that twists itself in a surprising way. a long duration track ready for the more demanding dancefloor. on the bside, we meet 2 tracks from the valencian guy oscar barila. the first one is anxiety, an authentic bomb that, with no doubt, we will listen to many of the big ones. the song has a phrenetic rythm, a wrecker groove and psychedelic and mutant synths, that convert the track in a mortal weapon for the peaktime. the second song of the b side is giro tutto, powerful and smart techno in constant evolution. its percusive rythm is adorned with an acid and bubbly synth that unleashes in 2 explosive breaks.

the second release on the spanish label rare wiri bring us again two quality club tracks. on a side wanting you. ilija rudman feat. show b on a nudisco killer tune filled with awesome basslines and cool synths that should make everybody move. on the flip rayko & f.pineda hit the floor with an edit of 80s classic walk the nightto complete a really good double header.

after several months of hard video- and filmwork, and several awards, french-vietnamese cutie tk.kim aka. pop-3 will finally release some new tracks, on vinyl and online, and by the way, she promised to release more stuff in 2009! so, the new release, chicks and cuts, with 8 tracks online and a 4-track vinyl 12, is definitely dancy, clubby and loud. definitely in the tradition of pop-3s former releases, that never perfectly fitted a precise music category and prove that tk.kim still refuses to be house, tec or minimal. shes all of them or none of them. and what does chicks and cuts sound like, then? boomy squeaking analog sequences combined with delicious samples of her sweet voice will delight the dancefloor, lo-fi audio splinters coming out of old analog drummachines play something like very reduced melodies, and well shaped bassdrums and deep synths will delight your tummies. the very minimal lyrics are in french, as usual. and, goodie: sonja moonear and akiko kiyama contribute with amazing remixes to this fine girls-only oeuvre, rhythmical and minimal but still very harmonious the one by akiko, deep and mysterious the one by sonja. and by the way, the cover is really sweet, people say.

claque musique present their fifth release, which is a technoid gem from hugo (already responsible for the brilliant third 12 inch on the label, entitled born to bop) called strobo revenge. another zany electronic bullet that is destined to cause mayhem on dancefloors worldwide! on the a side, jumping beats, vocal mirages and compressed synths create the groove on the original mix of the title track. a fizzing bassline and echoing whistles enter later on and they give the track a slice of claque musique zaniness. a2, prismatic visual, is a powerful floor filler, which is slightly less crazy then its musical partner. hugo uses dependable percussion, watery synth action and inviting vocals to create this musical treat. on the flip side, carola pisaturo brings us a moody version of strobo revenge that squeezes something else out of those whistles. she employs heads down percussion, vocal shards and smooth synths on her version. portable/bodycode heightens the intensity with a jackin rerub that sends the track in another direction completely. marching beats, acidic synths and hollow bass drops work wonders on abrahams revision

bonus round is back, the glitterati fashionista ep by ben pest unloads 4 original genre bending tracks that contain elements of techno and p funk, all ready to cause ruin to the discotheque! jumpadelic is a heavy chicago influenced, gangster funk workout. the tune has been causing a stir as part of bens live set with a vocal hook that gets everyone jacking! theres a party inside my mouth is a hard and crunchy electro funk track with some wobbly synths that will warp minds. lukes anger checks in with a futuristic re work of now panic adding some spookiness to the twisted original. tiny beginnings rounds off the ep with a slower tempo and more funk laden grooves, lots of cheeky sounds keep the mind hooked while the ass follows...

heavy, heavy analogue synths attack from the start and here the layers just keep building - stabs, pads, bass and a melodic string arrangement designed purely to heighten your senses. epic and intense

you ve heard everyone, from timmy regisford to danny krivit, playing this remix of jazz funk legend roy ayers all summer and now its finally available. the ingredients are the usual ones: organ ride, convincing synths and solid bassline.

deadmau5 is back with huge smash hit >ghosts n stuff< and the minimal >peddler of misery<. ghosts n stuff was written especially for deadmau5s essential selection live from the warehouse project manchester. a new musical direction for the mau5, ghosts n stuff is a gigantic slab of french house. big organs and synths collide alongside a killer bassline and tight percussion. ghosts n stuff looks like being one of mau5s biggest hits to date. peddler of misery is the complete opposite to ghosts n stuff with its minimal arrangement and trippy double beat. the percussion is delayed and crazy, helping to create real messed up dancefloor moments!

the first release on this new label is from gatto fritto who has released records on dissident and electric minds and recently remixed subway on souljazz. the a side hex is a nine minute, mid tempo, atmospheric, bearded disco trip taking in falsetto vocals, straight to video synths, acoustic guitars and the budget, analog death rattle of a vintage siel cruise. the bmside beachy head is a teutontastic tribute to the uks favourite suicide spot. a 3/4 krauty synth builder that spills into layered waves of guitars and unforgiving rocks of heavy analog bass...think klaus schulze and steve reich rolling off a cliff in 1983 datsun cherry.

incl solomun remix !! as we venture into the future of house music, we find certain styles taking definitive direction. one of europe’s hottest producers, tiger stripes, has been at the helm and leader of tech & electronic dance music. he lays a new foundation over >voyage<, a recent release found on his safari lp released in 2007. two new re-interpretations, solomun main and lost version of this single will be released with more of his signature sound, pumping drums, jabbing synths, rolling over a bouncing bassline with string flows atop breathing new life into an already vibrant track. tune in and hear what we mean.

mike takes his ambient album closer stargirl and remixes it into a carl craig inspired deep, minimal track with a gorgeous string section and some twisted computer arpeggios. saleri complex an extended club mix that uses eerie pads, detroit styled synths, and twisted vocal samples.

alessio mereu is back on his own renovatio imprint with a rolling and phat release that really smash the dancefloor with all the tree versions in different moods. featuring remixes from kyle geiger and matteo spedicati this release can only as described with one word...pure energy!!! the original goes percussive with lots of detuned screaming synths, kyle geiger take it to a cyclic and brute level, and matteo spedicati goes on the happy side

the first twelve from johannes volk gained support keith worthy, mike huckaby, mills, etc. on this second release johannes drops a mighty techno stomper called internal structure reminiscent of some classic robert hood productions from way back. inspired by a severe an damaging tornado storm in volk?s hometown, this incredibly good, yet frantic piece of dance music is build from layer upon layer: static beats, grooving bassline, sweeping synths and a warm rhodes-esque sound make this a apocalyptic but colourful banger. on the flip we have gerd bringing home the potatoes for sure. his take on volk?s internal structure is a mighty acid stomper reminiscent of those warehouse parties, yet it is done in a very contemporary way. check!

after 17 years of working together, tejada & leviste are back in the studio again putting their modular synths to good work. m tracks (m as in modular) features 4 analog workouts in varying styles. m track 1 features a melodic deep, yet driving track reminiscent of the duos best known work. m track 2 and 3 showcase a trackier sound focusing on basic elements while m track 4 turns in a much more experimental direction. the approach to this ep was a very fun, hands on process. analog sequencers are used to drive the various modular synths and their components. this process allowed for a more organic feel as the unstable electronics change over time as well as the manual changing of parameters over time. systems used include doepfer and frostwave sequencers, and modular systems consisting of cwejman, doepfer, harvestman and bananalogue modules. analog drum machines aided in the rhythms, however m track 3 was generated from pure modular hardware including the drums.

electric minds are proud to have ilija rudman for their 8th release. ilijas repertoire is already extensive having had his productions released on labels such as rong music, infant/2020 vision, compost, love is war,deep freeze, bear funk and of course his own label red music which he runs from his base in croatia. his work has been recognised by industry greats such has greg wilson who commissioned his remix skills for his >after midnight< track as well as rave reviews in magazines such as idj, dj mag & mixmag.after that ilija and greg decided to do an original track under alter-ego , yolanta sy , the garden ep. ilija delivers two deep house disco tracks for electric minds. the a side >ocean colour< is reminiscent of metro areas early work and delivers a driving bass line with added synths to keep the track moving along nicely. for the b side ilija thurns out his remix skills on chaz jankels >youre too funky<. after hearing yam who?s original version ilija asked to remix this track to this package a double a side release. the remix brings a deep house

skylax records, the company focused on realeasing original obscure dance classic and everythings that sounds fine to their ears! for our 11th release , we decided to bring you guys a brand new track from the italo master of all time: the fantastic beppe loda under the name italowerk. honestly, we were not expecting anything, as he did so much for electronic music already for the past 20 years, resident at the legendary typhoon club in italy (brescia), playing a huge amount of electronic underground tracks that are praised today by clubbers & vinyl fetishists, he created also what we called today afro cosmic. we could sum up his new project just by its name italowerk = kraftwerk meets underground italo. the first track is called sognando that we could translate by dreaming. indeed, this is a very powerfull track, that sounds almost like an italo lost gem (circa 1982) but with an incredible modern feeling, full of crazy electro synths, arpeggios and a terrible kick: an athem!

another stunning release from lovebirds and winding road records, and a delicious prelude to the forthcoming lovebirds album on wr. sebastian doerings solo project is becoming big news, and this is another brilliant ep which enhances his reputation even further. its been getting massive props from laurent garnier, jimpster, ian pooley, danny krivit and more. the louder! ep is a 3-tracker with deeply classy underground house and midtempo stormers. the night is a perfect old-school house thumper. louder! is a french-sounding midtempo bomb with analogue synths and bubbling congas. its all yours is a boogie house stunner with all the ingredients you could ever want - trumpets, strings, zingy

nail biting punk disco! speaker shredding synths and drunken, chanted choruses! a valiant first stab at the disco dance charts! comes with along with two equally mental prins thomas remixes. the nordic demigod brings the funky disco beat with his first interpretation of double fisted, while on the flip side he creates a head nodding balearic version that makes one feel a bit like they should be lying in the tall, tall grass watching a liquid gel light show in outer space.

max trax records returns after a one year hiatus with the slammin westbourne park dubs ep vol. 1 by dj and producer aaron ross. what you get here are four massive tracks with a definite underground old school touch, all of them being sure shot winners guaranteed to send the crowd into a frenzy thanks to their deep relentless grooves and the hypnotizing synths and chords used. deep, simple, very effective - just the way we love it.

emo-techhouse at its best! sanjam is the croatian meaning for im dreaming, and thats exactly what this track is about. warm synths are surrounded by housy chords and a deep bassline. girl with a smile is pure oldschool, initiated through dubby feelings and hypnotic beats. you will see the girls smile on the dancefloor for sure.

an extremely tasty 4 tracker from the massively talented par grindvik. the a1 is a real killer with its rising synths and sledgehammer drums whereas the a2 is a perfect contrast with its slow intense minimal groove. the b1 again is a real floor burner with its driving groove and clever synth edits halfway. the record closes with a superb more minimal interpretation yet agin. drumcode again proves it is still one of the most cutting edge imprints around... limited backstock available

franco cinelli, one of the most gifted new producers coming out of argentina, presents here six uncompromisingly quirky club bombs. his previous releases on milnor modern and telegraph have just warmed you up to his sound. now dive in to >profundo amor< and get familiar with these intricately programmed club stompers. you can call it minimal, but when these tracks go ripping through a big pa, thats the last word that will be on your mind. with the opening track >flog<, you get a taste of the freaky after-hours grit that alphahouse records is becoming known for. >m26< is a robotic hair-raiser for the new generation. think minus on steroids. >twisted machine< features a stompy groove and some snare work to drive the dancefloor. >vertientes< is a great dj-tool with a low-slung bassline and dancing synths. >c3d< bounces along with a razor bassline and some tricky transitions. and >project 64< finishes off the lp with a synth line that falls out of the ceiling and straight onto the dancefloor. truly inspiring stuff here, from franco. no filler tracks. all of these are a-sides

adam beyer imprint. a stunning two tracker by agaric and steve logan. the a side is a fantastic chugging track with razor sharp production that just builds and builds with key elements like swirling vocals and synths and a funky bassline. the flip takes a much darker approach with its reverse bass line, synth pattern and super sharp hi hats. this is another fanatastic release from one of the hottest labels around at the moment

another quality dmx krew masterpiece we at turbo are longtime fans of dmx krew, so its a real honor to work with him again 6 years after his last contribution to our now defunct sub-label white leather. we dont normally trace an artists history or include much biography in our press releases, but we feel the need in this case to pay our respects to a long and brilliant career. with all the crap that gets paraded around nowadays its easy to forget who the real masters are... ed dmx is one of them. ive always held a soft spot for ed, he was one of my favorite producers in the proto-electro heyday. hearing his live version of the knight rider theme at sona (tigas club circa 96) was (believe it or not) a revelation. of all the artists id met up until then, he was the coolest, he could play synths better than anyone id ever heard, he had the balls to do vocals in his live-set but he was a sweet, softspoken, and super funny guy. for reasons ive never understood, eds pop side didnt seem to take off and for awhile things took a distinctly experimental turn... interesting stuff, but a departure

the into the night ep is a wonderful deep, slow & moving record that should be one of the highlights in this years autumn sessions. into the night kicks off with some wild pitch – alike chords and builds up soulful, moody but strong. tectonic move is so damn groovy and might be one the funkiest trax ever coming out of the metaworld universe of matt flores. also the tempo of almost 120 bpm is sexy as hell... all percussions & the bass are played live by matt flores. “tectonic move” also features some extatic detroitish synths that makes you scream. a definitive winner! the tectonic move flores & saenger dub has been rearranged a bit by matt flores and farsides ingo saenger (one half of westpark unit). they stripped the tune, put more focus on the groove and re dubbed all harmonies & synths. the result is a funky smokers riddim for all you dubby tool headz out there.

bleeps and synths are running after a deviant bass, all of them taking turns in invading the dancefloor. an epic tune made of dissonant stems matching one each other precisely to create a very pulsating house / techno beat.

nice price deal !!! hailing from japan free disco moved to london two years ago and brought with him an ear for deep music. already an accomplished composer, record collector and disco selector when he sent out a demo of his new recordings it wasnt just electric minds that took note but also new yorks rong music where he will release later this year.. the a side >psychedelic symmetry< is a fast paced track made for the dance floor. heavy bass through out which is bound to find favor with the house heads as well as the lovers of the nu disco sound. the b side >hippe can dance with boogie< leans towards the cosmic with a spacey sound accompanied by live bass and keys.for this project we have commissioned our first remix with stevie kotey. kotey chose to remix >hippe can dance with boogie< creating a spacey disco excursion. he has added live percussion, new drums and replayed the synths so the full treatment from one of todays finest remixers

following up from his widely acclaimed ep for workshop and his first solo-ep on mikrodisko, two new tracks emerge from the abyss that is kassem mosses studio, striking fear and awe in the hearts of mastering engineers. aqueous haze, his new ep for mikrodisko, starts with >no peace no love no unity<, an 808 driven stomp through landscapes of derelict synths buried in vintage and broken device chains. the track finishes off with a brief reminder of the past. the sixties? the seventies? they never sounded anything like this. >578< on the flip is out on a roll, straight ahead, not turning back, pushing towards a better tomorrow. the utopia that time forgot. we call it techno